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One Hundred Years of Solitude, by Gabriel Garcia Marquez
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A band of adventurers find a town in the heart of the South American jungle. Their leader is Jose Arcadio Buendia, the town is called Macondo. The occasion marks the beginning: of the world, of a great family, and of a century of extraordinary events.
- Sales Rank: #6663045 in Books
- Published on: 1991-11-07
- Original language: Spanish
- Binding: Misc. Supplies
- 406 pages
Amazon.com Review
"Many years later, as he faced the firing squad, Colonel Aureliano Buend�a was to remember that distant afternoon when his father took him to discover ice."
It is typical of Gabriel Garc�a M�rquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buend�a, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics: A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buend�a house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano Jos�, and went through the pantry and came out in the kitchen, where �rsula was getting ready to crack thirty-six eggs to make bread.
"Holy Mother of God!" �rsula shouted.
The story follows 100 years in the life of Macondo, a village founded by Jos� Arcadio Buend�a and occupied by descendants all sporting variations on their progenitor's name: his sons, Jos� Arcadio and Aureliano, and grandsons, Aureliano Jos�, Aureliano Segundo, and Jos� Arcadio Segundo. Then there are the women--the two �rsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of Garc�a M�rquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom Jos� Arcadio Buend�a has killed in a fight. So lonely is the man's shade that it haunts Buend�a's house, searching anxiously for water with which to clean its wound. Buend�a's wife, �rsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house."
With One Hundred Years of Solitude Gabriel Garc�a M�rquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber
Review
“More lucidity, wit, wisdom, and poetry than is expected from 100 years of novelists, let alone one man.” (Washington Post Book World)
“The first piece of literature since the Book of Genesis that should be required reading for the entire human race.” (William Kennedy, New York Times Book Review)
Language Notes
Text: English (translation)
Original Language: Spanish
Most helpful customer reviews
16 of 16 people found the following review helpful.
The One Book To Bring On A Deserted Island
By Kirk Nichols
I was in a book club for three years. It was called Erudite Tonight. We read a book every month. Of all the classic books I've read, 100 Years of Solitude was the absolute best.
It chronicles a family through a hundred years. It's dense storytelling, like a condensed soup, where an entire story is told in the span of a page. It's a huge chronicle, like reading the summary of a century's old soap opera. Like The Simpsons, storylines repeat. But that's the point of the book. Sometimes they learn from their mistakes, other times the characters (all of the protagonists are of a single family) are ignorant of their family's past.
It also introduced me to the world of magical-realism, where magic is rare, but exists, disguised as coincidences.
I HIGHLY recommend this novel.
9 of 9 people found the following review helpful.
One for the ages!
By Markus
One Hundred Years of Solitude really isn't as difficult or confusing as some reviews make it seem. People make it seem like it's impossible to get through so many repeating names, but even when the characters share a name, almost every single character (until the last generation--and by that point the first characters are long gone so that it wasn't really confusing) has a unique name. How is that confusing? And anyway, it doesn't take too many chapters or a genius to figure out they all share the same names for a reason. Also, I must say, if you don't like the first 50-100 pages, you probably aren't going to like the rest of the book. It stays like that... Plus, the first Jose Arcadio Buendia is one of the more entertaining characters in the book, in my opinion. But, I think Aureliano Segundo and Remedios The Beauty were the highlights in this book. I was cracking up throughout their scenes.
Although I feel I missed a lot about what was going on symbolically whilst reading (mostly a lot of the religious stuff), I still found this book to be extremely enjoyable. It's inspiring and surreal, whimsical, funny and sad--and it all causes a person to feel very introspective, because it blends so many aspects of what makes up a person's life. I looked up some of the themes and motifs after reading to make sure I caught everything, and I prefer many of my own interpretations. And I think Gabriel Garcia Marquez meant to write it in a way that was a more personal experience. At the end notes, he mentions in an interview how he wanted to capture the way an abuela tells stories to her grandchildren-- and I got that vibe the whole time. And a lot of times, the surreal in crazy old latin american stories is what makes you remember the life lessons behind the story. And I feel like that's what happened here.
But again, I feel like most people I know wouldn't like this book, and I can see where they're coming from. It definitely isn't for everyone. And I must stress that that's not coming from a pretentious place. His writing style will be frustrating to many readers I'd presume, because it's really just incredibly unique. But, if you can get past the style (long paragraphs, little fluctuation in narration, mentioning things that haven't really happened yet, or no main protagonist... etc) and the repetition of names, it really isn't super complicated or anything.
It isn't perfect, but It's great. And even though I started this review planning to give it four stars, after writing it--I think it's an important enough, and intricately weaved enough, and a unique enough a piece to warrant a 5-star from this fella.
5 of 5 people found the following review helpful.
A truly beautiful read
By Si G.
Is this book somewhat challenging? Certainly. Is there a book (or any work of art) that changes your life or perspective that doesn't somehow challenge you? Not in my experience. The menial task of trying to keep track of the characters in this sweeping, magical novel is a small favor the author asks of us, and in exchange you receive an invitation to his imaginary world of Macondo. The very idea (suggested by other reviews) that this book is somehow "too much work" I find lazy, but it's certainly not a quick and easy read. Take that for what it's worth and approach it with the right expectations.
I started this book before a monthlong trip to Thailand, and found it much easier to delve into it fully once I was free from distractions and could read for longer periods of time. Hopefully my blissful state at the time isn't clouding my judgment!
The plot to me was entirely secondary to the staggeringly beautiful prose. Yet at the end this story that seemed at times to be about nothing was, in fact, about everything. Marquez is one of those remarkable few that you can feel was just born with an innate genius for storytelling.
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